I’ll be honest. Not well. I went into this game with the expectations not of the game surpassing the original Amnesia, but at least holding the same ground; the same terror, the same unsettling feel. Expecting too much would have just been letting myself down from the get-go, it's a formula for failure; but it's certainly fair enough to expect the game to be at least as successful as it's predecessor.
Without divulging too much of the storyline, it's difficult to explain exactly where A:AMfP went wrong. The first Amnesia was rich in story, giving a fairly detailed history of Daniel's journey prior to Brennenburg, his travels to Brennenburg itself, then what transpired within the castle. Amnesia is about rediscovering everything Daniel had done, and his attempts to atone for his perceived sins.
Well, this is normal.
A:AMfP, while having a fantastically disturbing storyline, falls short on exposition and really drawing you in. They kind of briefly touch on Oswald Mandus's history, skipping here and there, and the Machine is never really EXPLAINED in all it's glory. Which is a shame, because it is truly a glorious Machine. But more importantly, the entire tone of the story has changed. While this may be intentional or not, and the Dark Descent invoked terror and sometimes disgust at the actions performed by both Alexander and Daniel, A:AMfP caused me just to feel.. well.. sad. I sympathized with my attackers, and began to loathe my own character. Again, this may have been intentional; but it was not exactly what I was expecting.
Regarding your attackers, however, is probably the most disappointing portion. They're beautifully rendered - no doubt - but lacking the fear factor that the Grunt and the Brute did. Why? A plethora of factors reigns in here. For starters, A:AMfP did away with the insanity effect, something I think was an extremely poor decision. Sure, Mandus may have been batshit insane to begin with, but technically so was Daniel by that point. The amount of times I was clearly able to see the 'monster' coming after me really ruined the fear of the unknown, and the complete lack of 'panic music' also took away. Yeah, that electric shredding guitar could get annoying in the Dark Descent sometimes, but it also made you absolutely panic as you knew that one of the monsters was hot on your tail. Instead here, you just have a pig squealing maniacally as it chases you (or doesn't, as I found out) and that's pretty much about it.
To boot, the AI is godawfully stupid. The Dark Descent didn't boast any sort of higher processing AI for certain, but I was hoping they'd at least improve upon it for A:AMfP. Not only did they seem to not add to it, but they also seemed to detract. I was able to slip around pigmen undetected in the weirdest situations, and as long as I had my lantern away, I could pretty much shove my face in theirs. My first patrol encounter I was terrified, until I realized how slow and utterly stupid they were. It became more of route memorization instead of a "oh god don't let it get me" moment.
And while the models again, were lovely, they utilized them too much. Sounds odd, I know. But unfortunately it’s true. Don’t worry about missing the pigman early in the game – you’ll be seeing them a lot further on. I mean, a lot. It’ll eventually become sort of boring, and he’ll just become a mobile surveillance camera that can stab you. It was nice to see them up close, but that’s something that detracts from the scares, not adds to them. The Grunt and Brute were even kind of silly in their own right once you finally knew what they looked like, but the insanity blur and consistent darkness prevented you from seeing them fully. You remained scared.
Dan Pinchbeck stated in his interviews over a year ago [courtesy Gamasutra]:
"The thing is, if we don't frighten people as much as the original, then we've failed. But now we have to frighten people that know what to expect," Pinchbeck said. "The big design challenge is: How do we protect the things that make Amnesia great, and how do we evolve everything else to make a really fresh experience?"
"With this new game, we want to create a world that is so rich and dramatic and beautiful that the player is constantly torn between wanting to go around the corner to see what's there and not wanting to go around the corner because they're frightened of what's there," said Pinchbeck."
"We want this game to be absolutely skin-crawlingly, heart-shatteringly, and nerve-jarringly terrifying -- that's the target. Everything is geared around that. Just turning people to complete ice and making them have complete meltdowns," he added."
Reading back on those, I'm surprised. While the experience was fresh, and definitely beautiful, there was absolutely no real reason to explore. Why? Because of the lack of inventory management and item collection. No lamp oil to grab, no tinderboxes to utilize. That sounds silly to some I'm sure (and a lot of people are just avid explorers) but having a lantern that never dies out, that flickers at the slightest hint of danger - completely removes the entire aspect of SURVIVAL horror. Instead, I felt like I was being told a scary story, and I was being yanked through a path semi-reluctantly. Some of the frustration that lead to being lost in the dungeons of Brennenburg was not knowing if you got all the items, or even the correct items – and that was both a good and bad thing. Sure, it pissed you off, but it got you actively spending time in the game SEARCHING for things. No stone left unturned, you generally tore apart every room to see if there was a glowing goodie in it. Items would begin to cause fear due to the high number of trigger events, and taking all of that away lead to a lot of disappointment.
Look at all this shit I can't interact with! I'M SO EXCITED.
And unfortunately, this leads to yet another issue. Lack of object interactivity. This was probably my major complaint, as weird as that sounds. Amnesia: TDD was great because you COULD have a rage moment and chuck a potato sack across the room, or try and protect yourself against a monster with a broom or a hammer (poorly advised, but people still did it anyway). I do realize that item stacking could cause game-breaking problems, but people set out to break the game will find ways anyway, so removing those things really made no sense to me. I enjoy playing a lot of Amnesia mods, and utilize the barrel trick; any large object works, really; you hold it up in front of the monster, and it can no longer “see” you, and as long as you don’t move, you can generally avoid an encounter. A problem, yes. Fixable? Yes. But not by removing your interaction with the world. Wow, I can touch a lamp! Oo, I can throw a chair? But I can’t shuffle these boxes, or pick up this book, or smash a bottle against the wall in frustration. Giant locks across cupboards and doors just reminded you how little you really could do.
The last negative I’ll touch upon is simply the ending. While I won’t spoil it for anyone, I will state that you get no choice. While the choices in the first Amnesia were fairly minute, you still had a CHOICE. You could let Alexander get away and be consumed by the Shadow, kill Alexander and emerge victorious from Brennenburg, or chuck Agrippa’s chatty head into the portal and help him get back to a realm he was better fit for (effectively killing Alexander anyway). All three endings had minor differences, and while not the same epic buildup as A:AmfP’s (the buildup to the ending is absolutely magnificent, save the odd choice of … erm... Pig Daddy?) you still felt satisfied that you could MAKE that choice. A:AMfP goes “lol nope” and forces their predetermined ending upon you. Unless there’s another path you can divert to (and I screwed around on a previous save 30 minutes prior, and even sat before the final climax for 5 minutes to see if waiting around made a difference) then that’s it. And it’s disappointing. And it makes no flipping sense. They missed so many opportunities, and I was so disheartened by it.
Now that I’ve complained a ton, let’s get onto the good stuff! Because there IS good stuff.
The soundtrack to this game is spectacular. The singing is beautiful and haunting, and the ambience is fantastic. I also couldn’t praise the voice actors more, for being fairly engaging for a character you play. Mandus himself was enjoyable to listen to, and I enjoyed hearing his bit pieces.
While I complained about the lack of interactivity, I will say that the world as a whole was absolutely beautiful. It was exciting to be able to go outside for once, and once you delve into the Machine, it visually gets more and more interesting. By the time you hit the end of the game, your eyes are feasting on delicious candy and wind up craving more. Disturbing candy, sure, but man is it good. I would stop and look around to just enjoy the environment from time to time, when I was sure I wasn’t being chased or otherwise. That, to me, is a great thing to experience.
I had to provide at least one mildly disturbing image. And it's only mild because the camera's turned.
While I did not feel the same terror and horror as the first Amnesia, there were a few very good scares in there. I’m not saying this isn’t a scary game. You do get frightened every now and again, and you do have to be stealthy and keep your wits about you. It’s a different sort of scared; less horror scared, and more stealth game scared. You don’t want the security to find you – but it doesn’t mean it’s not enjoyable. One of my favourite scares involves the Bilge level, and I’m sure many of you will find out why. It’s subtle, and one that’ll only affect previous Amnesia players.
The storyline, yes, I did complain about it up above a bit, was a great concept. There’s very minor twists that are hinted at, and you have a notion of what’s going on – so when it’s revealed there’s a great amount of satisfaction in the discovery. Then you begin tying together the beginning of the story to where you’re at, realizing things you saw earlier in the game have a connection to what you’re seeing now; things that are so disturbing and messed up, if you’re anything like me you become giddy. I think the entire last hour of the game I kept saying “This is so messed up! This is so disgusting! THIS IS AWESOME!”. While the storytelling wasn’t as strong, or maybe as entrenched, coming up with your own theories, or even trying to flesh it out yourself can be satisfying in your own right. I was perturbed that they didn’t touch on things, but who knows? Maybe an expansion will come out?
I will say, Mandus had some fantastic notes written and scattered among the world. Right before the end, I went back and re-read ALL of them. While reading them during the game, some of it made sense, by the time you hit the very end, it all clicks together and every single note you go “Ah HAH! That’s what he meant by that!”. I didn’t mind the notes being vague so much as the story as a whole, and it’s always good to leave an active imagination up to imagine the most horrific of things.
Overall, Amnesia will be a good game for people who aren't thoroughly attached to the franchise. It's a solid horror story with beautiful design, gorgeous music and lovely voice acting. It will definitely entertain, and is well worth the $20. If it were more than that, I'd have to say "ehhhh", however $20 is a perfect price point for this. It seems like an overhauled expansion pack to say the least of it, and I enjoyed the time I did spend playing it. Die hard Amnesia fans may be disappointed, as I was, but for overall just playability - it's still pretty fun.